I don't have the foggiest idea of where to get a copy of this, but I am anxious to do so , frankly due to its connection to The Smiths.

Reel Streets". www.reelstreets.com. Archived from the original on 20 June 2017 . Retrieved 24 November 2014.This terrific fearlessly funny book reflects the mind of a type of kid reluctantly becoming an adult. I am of this type. Billy Fisher is a dreamy, ironic, funny kid confronted with conformity and small minds in a small town in England circa 1953. It all seems so pointless to Billy that he greases his path and enlivens the journey by embellishing the truth, making things up, well if one wants to call it that, and many do, lying. It has been suggested that a local newspaper columnist parodied in both the book and the film bears a remarkable resemblance to the late-life Keith Waterhouse himself, when he was ensconced at the Daily Mail. [3] Grouped with the Angry Young Men of British letters, who came to prominence in the late 50s and early 60s, Waterhouse's most famous creation is less angry with the status quo of post-war Britain than Arthur Seaton and Jimmy Porter, instead finding an escape from his frustrations by living in a dream world half of the time. Waterhouse called the office a few days later, announcing airily that he had fulfilled his brief. "Where's the dog?" snarled the features editor. "Cardiff," answered Waterhouse. "That's no bloody good," came the reply. "The circulation drive is in the north-west. Find me a talking dog in Liverpool!" I thought I was the only one who did this. The interior secondary monologue for my own amusement, since when I manage to say out loud what I think is great fun and such an amazing observation--it turns out I am as alone as the little prince on his lonely planet.

He also wrote a long-running, straight-talking newspaper column for more than 50 years, starting at the Mirror before switching to the Daily Mail in 1986. Billy Liar appeared in 1959, followed by his first screenplay, Whistle Down the Wind, in 1961 - which told the story of three children on a farm mistaking a fugitive hiding in their barn for Jesus. Keith Waterhouse's Billy Liar was published in 1959, and captures brilliantly the claustrophobic atmosphere of a small town. It tells the story of Billy Fisher, a Yorkshire teenager unable to stop lying - especially to his three girlfriends. Trapped by his boring job and working-class parents, Billy finds that his only happiness lies in grand plans for his future and fantastical day-dreams of the fictional country Ambrosia. Read more Details In 2004, Total Film named Billy Liar the 12th in its list of the greatest British Films of all time. In 1960, the novel's author, Keith Waterhouse, co-wrote a three-act stage version with Willis Hall. The action took place on a single set combining the living-room, hallway, and porch of the Fisher household. The first production opened in the West End of London with Albert Finney in the title role. It has since been produced all over the world, and has become a favourite with amateur groups. The play was adapted for the Irish stage as Liam Liar by Hugh Leonard in 1976. [2]

1959 novel by Keith Waterhouse

Within months, Waterhouse came to the attention of Hugh Cudlipp, who, as editorial director, was at the zenith of his powers and about to take the Mirror's circulation to more than 5m. Cudlipp recognised his new recruit's potential instantly, and gleefully sent him ricochetting about the world. America, Europe, the Soviet Union: this was heady stuff for a lad who had once been banned from playing with the children of his more respectable neighbours because he was the dirtiest boy in the street. This distinguishes Billy Liar from another contemporary coming-of-age novel, The Catcher in the Rye. The latter is a frame story in which Holden Caulfield starts the novel in an institution (jail? Mental health facility?) from which he’s due to be discharged, and he reflects on events since the previous Christmas. But while Billy and Holden are each confronted with their failures and choose to flee, their outcomes and trajectories are very different. One suggests growth and maturation, the other suggests recidivism. His credits, many with lifelong friend and collaborator Willis Hall, include satires such as That Was The Week That Was, BBC-3 and The Frost Report during the 1960s; the book for the 1975 musical The Card; Budgie; Worzel Gummidge; and Andy Capp (an adaptation of the comic strip). Billy Fisher lives with his parents and his grandma – albeit the latter might expire at some early or later stage – and the relationship is more than conflictual, it seems to be an eternal fight – especially with his father, who has had enough of his son’s clever, patronizing attitude and threatens to have all his things and the nineteen year old man out – which the hero or antihero might like to see resolved by moving to London, where he claims to have a job as a script writer, when all he has is a an answer from the comedian who states that though he had liked his jokes and pays for material, he does not have a staff, just some people who work with him, presumably as free lancers and on a part time basis, or just get money for humor that the artist can use…